《夜王》没有把夜总会拍成“坏地方”，也没有把它拍成“好地方”。它拍的是一种香港式的现实：世界在变，人只能在夹缝里继续做事——继续把灯开着，继续把客人迎进门，继续让笑声出现，直到某一天门真的关上。
Sometimes as a child I had trouble falling asleep. But from age 11 and through my early teenage years, recreating the film Mamma Mia! in my head frame-by-frame was my remedy. Running each line of dialogue through my mind and bringing to life the colour of the characters’ clothes, usually by the time they arrive flustered from their journey, I would drift off.
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